About Maurizio Cattelan, there are not too
many things to be said, mostly because he says everything he wants to by
himself. He does this in his work, as an artist, as a curator, he just says all
it’s needed to be said about himself.
I will save myself the trouble to copy
any information about him from the internet, he deserves more than a
presentation of his biography, so if you crave to find out when he was born,
where, who his parents were, and other such things you could just as well use Google or just ask Silviu Mănăstire
to find out who Maurizio Cattelan really is.
Now that I have
said what I’m not going to do
here, let’s start with what I’m going to do.
First I
will tell you how I started to get familiar with his work, and you might be
surprised, but his
“The ninth hour” was unknown to me the first
time I saw this work In fact, beside his work as a photographer I didn’t know anything about him. You might
wonder how? The answer is simple,
I first saw
his works in his magazine, Toiletpaper Magazine, magazine about you can read in
my other post called “toilet paper”, I
won’t talk here about his photography. I
will mention instead his work as a sculptor.
The ninth hour
– the jewel of the satirical sculptures, depicting his holiness, Pope John Paul
II, carrying the cross, struck down by a meteorite.
This is a good example of Cattelan’s
critical thinking and humor.
Since
the 90s Cattelan is a huge figure in the art world. Besides his work as an
artist, he spent a lot of time curating and publishing, about his last
publishing work, you can find out in my next article