We
see in these works a special attention to the detail - generically speaking, a
watermarking of great finesse and sensitivity. The waves seem not to crack, but
to adorn the sand with a lace of foam. Beyond
the visual impact of the image, reaching the shores is a conquest, a victory, a
tumultuous passage to a quiet, deserved
peace. Many of the works depict the beach ands the sand - a sand that burns and
cools, and hugs the waves in a "welcome home" greeting. There is a
detail that inevitably draws attention not only through the chromatics but also
through the message and the state that
it creates: the sky. It is often a dark sky, a sky that either bears the signs of the storm, inspiring anxiety, or induce
a state of prostration at sunrise; the sky is the beginning and the end, and the omega,
defined by the artist through a conglomeration of clouds that do not seem
threatening but free the sky only in
slits, large enough to leave the light triumph and, in combination with it, suggesting
hope and positivism. Besides, the artist
herself defines her works as an "invitation to meaning", so the
viewer is welcomed to build his/her own.
The posts on this blog are conceived by the students of The History and Theory of Art programme of The University of Art and Design in Cluj-Napoca, Transylvania, as outcomes of the "Writing about Art" circle.
Apr 9, 2019
Cecilia Menilescu: The Seas of my Soul, by Roberta Nagy, Ist year ITA
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