- one of May's greatest art
exhibitions -
Hosted by Launloc (55, Racovita St., open May 26-May 31), the world created
by Tudor Oltean is governed by its own laws. Student of UAD's Ceramics, Glass
& Metal Department, Tudor creates a system that brings into discussion the
unspoken aspects of illegal trait, creating objects that, in our opinion, can be
best described as having a "subtle monumentality". With an
interesting materiality and an unforgettable chromatic signature, each piece
tells a different story, united by the idea of a field of activities which affect
society in negative ways, yet are kept under the rug. Art trafficking, ivory
trafficking, organ trafficking or even human trafficking are among the artist's
concerns.
The world build by the artist revolves around the mantra
of "creating a world governed by its own laws, where violence becomes
universal desire, a world backed up by its own complex economy that is
continuously and aggressively developed" (artist's statement). This
promise is actually delivered to the public, because the feeling one has when
entering the exhibition is indeed that of entering the space of a fully
organized organic system.
The two main rooms of the gallery
where the exhibition takes place manage to somehow be different yet governed by
the same unity stated before. A crucial aspect of this diversity is played by
the experiments conducted using different art manifestations. Thus, besides
ceramics, we were able to encounter various paintings or even engravings. Their
unity comes firstly from the specific
shade of black used by the artist. Black, the color of darkness, of the night, the color of crime, of the unknown,
and of the underground. Every piece of Tudor Oltean's exhibitions wears the
black grey-ish coat of the organized crime's world.
Among the exhibits stands out a group
of sculptural ceramic objects whose
non-figurative shapes embody the project's concept with reference to specific
cases. With the matter of organ trafficking in mind, for example, the artist
takes the shape of a kidney and formally abstracts it until a
non-representative object emerges, emptied of the original shape yet filled
with meaning.
Tudor Oltean's Black Market is without doubt one of the highlights of the year's
art exhibitions, scoring high points in regard to the idea, as well as the
executions and also the presentation. The young artist's work is something we
are looking forward to encountering again.
photo credits Galeria Launloc
photo credits Galeria Launloc
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